Just recently, I had the honor of reviewing the romantic novella Rose in Three Quarter Time by Rachel McMillan (which you can read below). I first discovered Rachel through her historical detective mystery series, Herringford and Watts. It features two amateur female detectives who are reluctantly assisted in their endeavors by a policeman and a reporter.
With its early twentieth-century setting in Toronto, it reminded me very much of the Canadian television series, The Murdoch Mysteries. Rachel has continued the historical mystery tradition with a new series loosely tied to the first, with the recently released Murder at the Flamingo, set in 1930s Boston. The unlikely hero of the Van Buren and De Luca series is Hamish De Luca, a quiet bookish man who suffers from anxiety attacks. Hamish is the son of one of the couples from Herringford and Watts.
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Rachel has also published a few contemporary romance novellas. One is a Hallmark-style Christmas tale called Falling for Christmas, which can be found in Starring Christmas: Two Christmas Novellas. The other two are part of a series set in Vienna, one of which is the recently reviewed Rose in Three Quarter Time.
If you are a fan of international television historical series like Grantchester, Father Brown, Miss Fisher’s Murder Mysteries, Endeavour, or The Doctor Blake Mysteries, then you will find much to love in Rachel’s two mystery series. Her contemporary romances are beautiful, especially if you appreciate sincerity, restraint, and equal partnerships.
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One of the hallmarks of Rachel’s writing is how she turns each city setting into a secondary character in each story. Toronto, Boston, and Vienna all come alive. You can almost experience them with all five senses thanks to the detail and love with which the author portrays them.
Another thing I love about her novels is that they are peppered with references to classic films, historical fashions, and even Broadway plays, all things that interest me. Regardless of your tastes, Rachel’s stories offer something for everyone.
AUTHOR INTERVIEW – RACHEL MCMILLAN
Can you tell us a little bit about your beginnings and journey as an author?
Well, I don’t remember a time I wasn’t writing; but it is only within the past few years that I pursued traditional publication. I always wrote for fun (there are dozens of stories I have written that will never see the light of day), but I wasn’t confident enough to show anyone. In fact, the first person to truly read a manuscript of mine was my now agent. I submitted a manuscript of historical romance set during the Halifax Explosion in 1917. While it was shopped and passed on, several editors liked my style; but felt the Edwardian period in straight romance was over-saturated.
My agent suggested trying a manuscript with a female Sherlock Holmes. I plotted and wrote the first book in the Herringford and Watts series and we found a home for The Bachelor Girl’s Guide to Murder pretty quickly thereafter. I love writing historical mystery romances, but still yearned to find my own niche to write romances in some of my favourite places (especially Vienna) so began pursuing independent publication on the side.
Tell us a little about yourself as a reader. Do you have a favorite author, genre, or novel? (Feel free to add any additional info here about your reading habits or interests if you want.)
I am an eclectic reader. I will read any good book regardless of genre as long as I am immersed in the world. Thus, my reading varies widely. I love every genre from high fantasy to romance to historical epic. Some of my favourite authors include Patrick O’Brian (he wrote a 21 volume historical fiction series set during the Napoleonic Wars — the film Master and Commander is based on one of his books), I adore Dickens! I love all manner of historical fiction and mystery! Other favourite authors are Lynn Austin, Georgette Heyer, Elizabeth Peters and Martha Grimes. But I read extensively. Especially the classics. I read all the time. I re-read a ton! I am always reading or thinking about reading LOL.
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Since The Silver Petticoat Review focuses on old-fashioned storytelling and romance, what, in your opinion, qualifies as old-fashioned storytelling? Do you have a favorite story that meets your qualifications?
It might sound archaic or overly traditional, but I should hope that old-fashioned romance champions abstinence before marriage. In our modern culture, physical relationships are easily bartered and bought and traded. I am a hopeless romantic and truly believe that the purest form of romance belongs within the confines of a committed marital relationship. It might not be society’s standard, but it is certainly my own.
I was a Victorian Literature specialist in University, so almost all of my favourites champion this model. Or, if they don’t, they reprimand anything outside of it. A favourite of mine that meets these qualifications is “The Blue Castle” by LM Montgomery. Like “Rose in Three Quarter Time” it is a marriage of convenience story set in 1920s Muskoka, Canada. The hero treats the heroine splendidly. So much of romance, to me, lay in how the hero treats and respects his lady. I ensured that Oliver Thorne (in “Rose”) had a strict moral conduct (his own) he follows and tries to live by.
As a follow up to number 3, in your opinion how would you define old-fashioned romance? Do you have a favorite story that meets your criteria on this?
Old-Fashioned Romance to me (and I may have touched on this earlier) stems from two different criteria: a.) the hero has to respect the heroine enough to pursue her beyond physical ramification or gain b.) passion is exclusive to a marital commitment.
I suppose a favourite story of mine that meets these criteria is “Villette” by Charlotte Bronte. The hero falls in love with the heroine for her mind and for their preternatural kinship (they’re soulmates). He would not dare physically cross any border with her beyond a marital commitment.
If you could have authored any book other than your own, what do you wish you had written? Why?
(The Blue Castle? The Hunchback of Notre Dame? The Morning Gift? Those are my guesses.)
Oh my heavens! The books you mentioned are all so important to me. But I might surprise you in saying I would LOVE to have come up with the Sherlock Holmes books by Sir Arthur Conan Doyle. I currently write some historical romances with a heavy mystery element and the mystery genre is one I love to read but am very self-conscious to write. If I had Sir Arthur Conan Doyle’s brain, I think I would be much better off.
Which of your books has been the most difficult/challenging to write? Why?
Every book I write with a mystery element is challenging to me. For while I am comfortable writing historical fiction and romance, plotting mysteries takes a lot of brain power. The other hurdle I cross is deadlines and time. So, to date, I would say the most difficult was The White Feather Murders (the third full-length Herringford and Watts story).
Due to the tight turn-around time of those manuscripts and my editorial schedule on the last novella, I only had about six weeks to get a solid manuscript done. Considering I worked full time and only had evenings and weekends at my disposal, writing that manuscript was harried and quick and really stress-inducing. It seemed to turn out okay, though, and several readers say it is their favourite of my first series. Thank heavens for good editors!
If you could choose one of your books to be made into a movie which would it be? Which actors would you like to see play the lead characters?
I really think that my Herringford and Watts books would do well with the Hallmark treatment. I am a HUGE fan of Hallmark and they would do such wonderful things with it. As for actors, I always have such a clear idea of the characters in my mind that it is hard to cast them. That was until Rose. I very clearly chose Shaun Evans as a muse for Oliver Thorne because I needed to study an actor who had a wide range of facial expressions and a very expressive face.
When you read the book and learn that Oliver is limited in his ability to conduct the orchestra due to the limitations of his left arm, you see how essential the transparency of his face is…. So for casting, to date, Shaun Evans is the only actor I have truly relied on.
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Which of your book characters is most like you? Most unlike you?
I think writers are like Velcro and we pick up things as we go along ….the same goes with our books, they are attached by little nuances and quirks specific to us that we may not even notice we are imparting. But, I think, to date, Hamish DeLuca is the character most like me. We both suffer from an anxiety disorder and I very transparently use him as a portal to express how living with anxiety is a blessing as well as a hurdle. To date, the character least like me would probably be Rose: she’s petite and perky and very talented and graceful on the violin and I had an inkling while writing her that I was creating someone not quite like myself.
If there is anything else you would like to add or want our readers to know about you or your stories, feel free to add it in.
I hope that readers take a moment to look at how I portray relationships in my stories. I advocate respect as the center of romance and I hopefully highlight the magnificent peace and excitement found in romances where neither party settles. Anyone can fall in love and enter into a quick physical arrangement, but I try very hard to create heroes whose moral code forbids them to view women as a transaction or commodity. The underlying thesis of my Vienna series is to encourage women to look at their relationships and to assess how they are treated. If they cannot respect themselves or do not see their childhood view of romance in the way they interact with their partner, they are worth more than going through the motions.
I will never create a hero who does not commit wholly to the heroine: not just for her physical attributes, but for her mind, spirit and soul. Hold out for a man who sees more in you than you do yourself. Don’t settle for society’s view of romance when you can have the best version you lay out for yourself. You are worthy of the pursuit of romance in its highest, purest form. If readers come away with a desire to wait a little longer for a romance worthy of them, then I have done my job.
ABOUT THE AUTHOR
Rachel McMillan is a keen history enthusiast and a lifelong bibliophile. When not writing or reading, she can most often be found drinking tea and watching British miniseries. Rachel lives in bustling Toronto, where she pursues her passion for art, literature, music, and theater.
Rachel is active online. I encourage you to visit her Pinterest pages for the inspiration behind her novels. I also highly recommend following her on Instagram. I can tell you from personal experience that not only does she write intriguing stories, but she also has great taste as a reader. I have found several new fiction favorites through her book recommendations on Instagram. I also know that she is responsive to her fans on Facebook. You can find her on the following social media platforms:
website: www.rachelmcmillan.net
Twitter: @rachkmc
instagram: @rachkmc
facebook: rachkmc1
Rose in Three Quarter Time Book Review
I received a free copy to write an honest review on The Silver Petticoat Review. I was not financially compensated for this post and all opinions are my own.
I’m a romantic at heart. Over the years I’ve read many romances which I’ve loved. But every now and then I run across a book which isn’t just a romance but also thoroughly romantic. Have you ever read a novel(la) which is a love story with a city? My first experience with this was Rachel McMillan’s Love in Three-Quarter Time. It achieved the impossible, supplanting my long-held love for all things Paris with a new one for Vienna -a city I’ve never even seen. That love affair grows and expands with McMillan’s second Vienna novella, Rose in Three Quarter Time.
SYNOPSIS
Rose MacNeil is a gifted but undiscovered violinist when Oliver Thorne first meets her after a performance. Oliver, once a talented cellist, is now a famous conductor for the Ranier Quartet in Vienna after an accident ruined his ability to play. Rose dazzles Oliver both personally and professionally. He encourages her to stick around Vienna until a spot in his orchestra opens up. In the meantime, the two strike up a friendship, bumping into each other and wandering around the beautiful, historic city.
Rose finally gets her chance and is offered the position of the first chair. However, her visa is denied. Oliver, desperate not to lose her, and Rose, desperate to hold onto her big break, enter into a marriage of convenience. But Oliver’s contract has a strict morals clause which prohibits relationships with members of the Quartet, so they must keep their new relationship a secret.
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This isn’t the only challenge Oliver and Rose face. Oliver tries to keep to his self-imposed vow to love Rose from a safe emotional distance and respect her wish for friendship only. Rose finds herself falling for her friend as they live together and she sees the real man behind the fame and position. Add in a hauntingly gorgeous city and the romance of their mutual love of music and these two may just find themselves breaking all their own rules.
REVIEW
As much as I enjoyed McMillan’s Love in Three-Quarter Time, her follow up Rose in Three Quarter Time just may be one of the most romantic stories I’ve ever read. How could it help but be, with the delicious combination of a marriage of convenience with the author’s obvious love for music and Vienna entwined in a glorious fictional symphony?
A MARRIAGE OF CONVENIENCE
I love the marriage of convenience trope and this one is well done. The marriage itself doesn’t take place right away. This allows time for Oliver and Rose to build a really solid friendship and for Oliver to realize how much he loves Rose. His proposal isn’t one of convenience, but one of necessity to keep the woman he loves close. It also allows for the display of one of the most underrated qualities in romance, restraint. What is sexier and more sincere than one or two people who really love each other by subverting their own needs and desires for the benefit of the other? Be still my beating heart!
This convenient marriage serves to increase the romantic tension between Rose and Oliver as they each give subtle clues to their feelings without directly expressing them. I love how Rose falls for Oliver precisely for the mundane, everyday things she discovers about him through living together. Oliver’s care and concern for Rose manifest itself in those little details. And then there is his grand gesture. It reminds me very much of another of my favorite romantic moments ever from the film The Holiday between Iris and Miles. But I won’t spoil it by telling you what it is.
I really appreciate how McMillan honored the institution of marriage, even while pushing her characters into it for the sake of convenience. Both Rose and Oliver enter it with a strong commitment and sacred reverence for marriage. They intend to keep their vows for life even while living as friends. Now that is real dedication.
A MOST ROMANTIC CITY
Heightening the enchantment of this novella is the author’s own love of Vienna. She seamlessly weaves this in along with details to create almost a third character out of the city. I could almost smell the scent of chocolate and coffee, see the vibrantly painted buildings and hear the stories of the past as I wandered along with Rose and Oliver through the city. It takes a very skilled author to make a city come alive. It takes an even better one to make you fall in love with it.
A LOVE OF MUSIC
I also had a very difficult time resisting the sweet seduction of the music. It made me wish I was as passionate about something as Rose and Oliver are about it. It was fascinating to get a glimpse into the world of professional music through their interactions with the orchestra. Even after ten years of piano lessons playing classic composers, I learned so much. But neither this book nor Rose and Oliver are the least bit snobbish about the subject. This love of theirs also extends to Celine Dion, Barry Manilow, and Broadway musicals. Theirs is the simple joy of playing for the love of it and not the acclaim. Then, of course, there is Oliver’s passion for composer Shostakovich. This ends up playing a role in him expressing his love for Rose. Oliver expresses it best when he calls him, “Shostafreakingkovich”!
MORE REASONS TO FALL IN LOVE
Of course, there are other details to love about Rose in Three Quarter time. There is Parcheesi the cat and the reappearance of Klaus and Evelyn from Love in Three Quarter Time. Fans of classic films and Broadway plays will find references to both sprinkled liberally throughout. Then there is the toonie from Rose’s homeland of Canada which plays a role in their living arrangements. We also get a brief introduction to the city of Brussels and an unexpectedly romantic moment in a city not known for its’ romance.
I’m not generally a fan of novellas because I don’t feel their brevity allows for enough time for plot or character development. However, Rose in Three Quarter Time does not suffer from a lack of either. Oliver’s reticence and self-protection mechanisms are charmingly adorable and also explained as the story develops. Rose is like a sassy kitten whose past is also revealed as their relationship grows.
ADAPTATION
Any adaptation of this novella would require a large budget to suitably do it justice. It definitely needs to be filmed on location. Netflix recent foray into original films proves that it could probably produce a gorgeous film. However, I would really love to see it on the big screen. I asked the author who she would cast for the film. She confessed that Shaun Evans of Endeavour fame is the inspiration for Oliver. Having finished the book, I have to agree, especially since Endeavour Morse and Oliver both share an enjoyment of orchestral music. I think either Elisha Cuthbert or Eloise Mumford (of Hallmark fame) would make an excellent Rose.
RECOMMENDATION
In case, you can’t tell from my glowing review, I absolutely adored Rose in Three Quarter Time. Not only is it one of the most thoroughly romantic stories I’ve ever read, but it will also find itself a home in my list of favorites. Long after I finished the last page the soft glow of Rose and Oliver’s love story, the after strains of the music and the beauty of Vienna lingered with me.
Content Note: This is a clean read. It contains a few steamy kisses and the inference of more physical intimacy though, but it should be safe for ages 13 and up.
I want to extend my personal thanks to Rachel for participating in the interview. Through our online correspondence during this process, I have found her to be gracious, funny, and a true lover of old-fashioned romance.
Editorial Note: This article is from our contributor archives and has been lightly edited and updated by us. Since 2021, The Silver Petticoat Review has been exclusively written by Amber & Autumn Topping. See About Us.
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Sounds like a writer whose work I should be reading (-: Thanks for the heads up!
You are welcome! I hope you get a chance to read both her contemporary and historical books, because her voice differs a bit between the two genres.
Such an interesting interview! 🙂 I enjoyed reading it. Rachel McMillan’s “Herringford and Watts” series have been for a very long time on my To-Be-Read list. Now I want to read her other books also! 🙂 I would love it if Hallmark Channel made her books into movies or, why not, a series like “When Calls the Heart”!
I’m glad you enjoyed it. I’m embarrassed to admit I actually still have the Herringford and Watts series on my list to be completed. I agree that it would be wonderful to see her stories adapted for Hallmark.