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Australia Film Review (2008) – An Enjoyable Imperfect Romantic Adventure

Just before World War II, Lady Sarah Ashley arrives in Australia to force her philandering husband to sell his failing cattle station, Faraway Downs. Upon arrival, she discovers her husband dead and the fate of Faraway Downs resting in her hands. Sarah slowly falls under the spell of Faraway Downs and grows attached to the land, and a little boy, Nullah. When she discovers her station manager, Neil Fletcher, is working with rival cattle rancher, Lesley “King” Carney, she fires him.

Desperate to save her ranch, and protect Nullah from Fletcher, Sarah enters into an agreement with a Stockman, Drover, to drive her cattle to Darwin in competition with Carney. What follows is a tale of adventure and romance. How one can find family, in whatever its form, in the most unexpected of places. Directed and written by Baz Luhrmann, Australia stars Nicole Kidman and Hugh Jackman.

Australia Film Review

Australia Film Review (2008) - An Enjoyable Imperfect Romantic Adventure | The Silver Petticoat Review
Nicole Kidman as Lady Sarah Ashley and Brandon Walters as Nullah in Australia.

I love romantic adventure films. I adore romantic dramas that pull you in deeply from beginning to end. When a movie leaves you dazed, an ache in your heart, you know you experienced something special. Australia promises that experience. It’s visually stunning, and there are beautiful moments. Unfortunately, Australia never quite finds its footing and falls short of the sweeping epic it tries so hard to be.

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This isn’t to say that Australia is not an enjoyable film. It is. It’s simply an imperfect film. In fact, there is more good than bad about Australia. These bright moments are deserving of mention because, without them, Australia would have fallen flat.

The Good in Australia

Australia Film Review (2008) - An Enjoyable Imperfect Romantic Adventure | The Silver Petticoat Review

The incredible chemistry between Nicole Kidman and Hugh Jackman is breathtaking in its intensity. From the moment they meet to their romantic kiss in the rain, sparks fly between Drover and Sarah. While Drover expresses amusement and exasperation at Sarah’s expense, he also shows deep appreciation for her spunk. Sarah may appear haughty while she looks down her nose at Drover, but deep in her eyes, admiration and interest glimmer. Every scene is electric between them.

Australia Film Review (2008) - An Enjoyable Imperfect Romantic Adventure | The Silver Petticoat Review

It’s hard to imagine other actors that would give Australia the same classic Hollywood feel Kidman and Jackman bring to the film. While at times I found Sarah almost too uptight or “breathy,” there was a charming naiveté to her character. Despite hard lessons learned, that innocence stays with her even as she changes.  The film beautifully captures Sarah’s journey down to the tiniest of details. From beginning to end, we see Sarah evolve. Not just in how she dresses, or talks. But also, in her gestures, her inflection and how she carries herself. More importantly, she opens her mind and heart.

Australia Film Review (2008) - An Enjoyable Imperfect Romantic Adventure | The Silver Petticoat Review

Jackman is gorgeous to look at, gorgeous to listen to, and just plain gorgeous. Drover is as comfortable in the Outback as he is in a ballroom. He knows who he is. He is firm in his convictions. As a result, confidence sits on him like a second skin. Drover doesn’t doubt, but he does fear. Jackman pulls off these complex aspects of Drover’s character in a roughly vulnerable way. It doesn’t strip Drover of his masculinity but rather heightens it. Drover hides his heart beneath a prickly exterior. Yet, Sarah (and Nullah) slowly pick away at him. While he forces her to see what she tries hard to ignore, she forces him to see her and Nullah and all they could be together.

Australia Film Review (2008) - An Enjoyable Imperfect Romantic Adventure | The Silver Petticoat Review

The true star of Australia is Brandon Walters. He stole this film, gave it depth and heart where it was lacking. Nullah is both innocent and ancient. His eyes are knowing even as they spark with childish delight. Polite society rejects Nullah because of his mixed blood. Yet, his family, his heritage, accepts him as he is. He is wholly perfect. In Sarah’s eyes, he is equally perfect. So much so, she often needs reminding of Nullah’s heritage. It is Nullah that reaches her, with that inner gentle wisdom so at odds with his child exterior.

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Last but certainly not least, the bad guys. Australia found its primary bad guy in Neil Fletcher. As Neil, actor David Wenham was brutal. From his cold fixed stare to the very tenor of his voice, he was shiver-inducing evil. He lacked redemption and was thus the perfect foil to Drover and Sarah. Bryan Brown added his talents to the line up as King Carney. Carney is the face of polite society. Yet, beneath the veneer of polish is a ruthless businessman. What Carney wants, Carney gets.

The Not So Good in Australia

The writing is uneven throughout the film. This is likely due to the number of storylines the film packed into 165 minutes. Yes, 165 minutes. The film is long. It had to be. Along with romance and adventure, saving Faraway Downs, the Japanese invasion, the aftermath of that invasion and the feud between Neil, Sarah and Drover, director Baz Luhrmann also tried to tackle what he called “the greatest scar” in Australia’s history. I use the word “tried” because, in my opinion, Luhrmann failed.

In the early 20th century, the Australian government and church missions forcibly removed Aboriginal children of mixed race from their homes. Known as the Stolen Generations or Stolen Children, this act was a terrible period in Australian history. Yet, the film painted a gloss over it. Even romanticized it to further Sarah’s journey.

Since Australia is set just before World War II, an omission of the Stolen Generations would be glaring. Unfortunately, with all the other stories Luhrmann wanted to tell, there simply wasn’t time to do justice to the Stolen Generations. As a result, it lacked the depth it sorely deserved.

Final Thoughts on Australia

The cinematography in Australia was beautiful work. The wild color of the Australian Outback saturated every scene. Beautifully juxtaposed were lush scenes during the wet with Drover and Sarah’s fledgling romance and her growing relationship with Nullah. With a setting such as this wild country, the romance of Australia truly does shine. Don’t expect a sweeping epic but I think you’ll still enjoy the easy experience that is Australia.

Content Note: Rated PG-13 for some violence, sensuality, and brief strong language.

Where to Watch: Australia is currently available on HBO OnDemand and to rent through streaming video services.

Photo Credit: 20th Century Fox


“I think this is the beginning of a beautiful



“In vain have I struggled. It will not do. My

feelings will not be repressed. You must allow me

to tell you how ardently I admire and love you.”

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By on August 4th, 2017

About Catherine

Catherine is an avid reader and a self-declared professional binge watcher. It's not uncommon to find her re-watching a series or movie for the umpteenth time and still be crying into a box of tissues. When she's not hiding in her closet to read or watch a show or movie, Catherine is a wife, mother, and, in her spare time, a lawyer.

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5 thoughts on “Australia Film Review (2008) – An Enjoyable Imperfect Romantic Adventure”

  1. This is my favorite Love/Hate film. I absolutely adore it except about once every 20 minutes when I want to throw a brick through the screen. On the good side Luhrmann had a cast most directors would crawl over broken glass to get. They are wonderful. He was dealing with a virtually unknown period between two wars in Australia so lots of new material. He had the clash of at least 4 cultures (descendants of early settlers, convicts, new comers, and aboriginal) for built in conflict. A lead character so iconic that Banjo Patterson was trying to climb out of the grave to write just one more poem, and a country of visual magnificence that it practically leaps off the screen to french kiss you. How do you mess that up? You try to squeeze in an insane amount of history into too small a space. I mean the “Drover’s Boys” get one whole sentence of dialogue. You mess up the technical so that lighting is off, match move is off, drop in from other films off and places where it looks as if it is edited with an axe. The to top it off you take one of the most important dialogue elements (Wizard of Oz) and use the 1955 TV black/white version instead of the 1939 sepia toned version. Even with all that, this is a film I watch at least once a year, because how can you not love something this beautiful even if truly flawed.

    • Love/Hate is a perfect description. It’s so imperfect as to grate yet I still can’t help but watch it. Every time I do, I wish Luhrmann focused on just one or two aspects of the history at that time. Yet, the history of the time period he choose, that specific period, is so entwined, it’s hard to separate. Then I think perhaps if he just moved it back a few years…further away from WWII but that still doesn’t resolve the sheer scope of the story he is trying to tell. I can’t help but think how wonderful this story would have been as a mini-series.

  2. Has no one noticed the glaring dreadfulness of the name of the hero? ‘Drover’ is an occupation, not a name. Nowhere in the country would a drover be called ‘Drover’! He’d be called ‘Bluey’ or ‘Slim’ or ‘Lofty’ or ‘Davo’, not ‘Drover’!

    Then there was Nicole Kidman’s botoxically immobile face, which was barely able to grimace at intervals. When she smiled at the poor little aboriginal kid, I thought she was going to EAT him (and I think he did too)!

    Then there was the way that Drover drove the cattle (ie. incessantly and nearly always at top velocity across the outback and the screen). That’s not the way you drive cattle. You wreck the meat that way. No, you drive them slowly and take care of their progress.

    Then, there was the glaringly awful treatment of the aboriginal kid. Has any Australian ever heard the term ‘creamy’? No, I thought not. That’s not what mixed-race children are called. I won’t use the actual term, but it would have been far more appropriate and far less grating in a real movie. When the kid set out to ‘sing you home’, I nearly vomited. What an awful, patronising image to use in a completely unreal and unpalatable context! It made aboriginal culture look like something directly out of Enid Blyton. Yech!

    Let’s not kid each other: we all knew exactly what the outcome would be from the moment the plot line was revealed. I’m not fussed on Nic Kidman as an actress, especially now she’s lost the use of her face, but Hugh Jackman tried. And failed. Blame the script.

    This movie is one my family and I watch for comic relief: it’s so awful, it becomes hilarious! Sorry, but it really was that bad. 🙁

    • It is certainly one of those films that some will dislike and others will enjoy despite its imperfections. That you and your family find value in the comedy it offers and continue to watch it for laughs is certainly one way to enjoy it! 😉


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