THE FILM: Jane Eyre (2011)
THE PAIR: Jane Eyre (Mia Wasikowska) and Edward Rochester (Michael Fassbender)
THE MOMENT: Edward begs Jane to stay with him.
Confession Time: The gothic era has never really been my thing. But then, perhaps part of this stems from my ineptitude to read the novels on which the classic films are inspired by. Still, I thoroughly enjoyed the touches of gothic in The Making of a Lady, and with each viewing, I’ve grown to appreciate it even more. The one gothic romance, however, I did always find fascinating from day one was the Charlotte Bronte classic Jane Eyre and the gorgeous love story between Jane Eyre and Mr. Rochester.
Something about it was enchanting as if it walked through a beautiful kind of darkness. Maybe it was the fact that I grew up with the 80s Timothy Dalton version (which is really quite good despite its misfortune to have been produced in the 80s) or maybe it’s the Beauty and the Beast themes or the complexities of forgiveness. Either way, this, in many of its reincarnations has always been one of my favorites.
The version of Jane Eyre that I’m most fond of is the most recent box office adaptation. Released in 2011 and starring the fabulous British talent that is Michael Fassbender, this version (to me) feels poetic. It’s quieter than the norm (even for this story) without the usual passion and gumption of earlier versions, which is all part of the reason it works so beautifully. The story remains true to its classic canon. It’s about the titular character taking a governess position at Thornfield Hall. Once there, Jane encounters a series of strange ghostly happenings but ultimately cannot resist the pull of her employer, Mr. Rochester, with whom she falls in love.
The Lead In: Jane Eyre and Mr. Rochester
The relationship between Jane and Edward Rochester is predicated on their intelligent conversations (he finds her a very intriguing person) and the fact that Jane is an innocent who remarks on fearing she’ll pass through life without knowing how to talk to men. It’s Jane’s humility that draws Edward to her, including a conversation between them when he confesses his feelings to Jane. The results of which she doesn’t understand, believing him to be talking about the women he is said to be courting, Blanche Ingram.
Rochester’s words are full of love as he sits on the steps following Jane helping him see off the mysterious visitor known only to her as “Mason.” He says, “This spring, I came home heart sore and soul withered. Then I met a gentle stranger whose society revives me. With her, I feel like I could live again in a higher, purer way.” Looking up at Jane, he continues. “Tell me… am I justified in leaping over an obstacle of custom to obtain her?”
In her naivety, Jane replies, “If you cherish an affection, sir than fortune alone cannot impede you.” Assuming it’s Blanche of whom he speaks, Jane is bewildered when he tells her the following.
“I am asking what Jane Eyre would do to secure my happiness.”
The Romantic Moment: Jane Eyre and Mr. Rochester
Following her return to Thornfield Hall (having been gone to visit her ill Aunt Reed), Jane learns from Mrs. Fairfax that Rochester is to be married. Finding him in the courtyard, Jane offers congratulations, mentions she’ll be looking for a new position, and walks off into the surrounding wild to be on her own. Following, Edward soon catches up to her.
He begins, asking, “Thornfield is a pleasant place in summer, isn’t it?” Continuing to hope she’ll remain at Thornfield, Edward makes the following observation. “You’ll be sorry to part with it. It’s always the way with events in life. No sooner have you got settled than a voice cries ‘rise and move on!’ I’ll find you a new situation Jane, one I hope that you’ll accept.”
With reservation, she replies, “I shall be ready when your order to march comes.”
Coming to stand in front of her, Rochester blocks her way, forcing her to come to a standstill. “Must I really lose a faithful paid subordinate such as yourself? …We’ve been good friends, haven’t we?”
“Yes, sir” is Jane’s obligatory but detached reply.
As they come upon a large, wide kind of tree, underneath it Rochester confesses his feeling towards Jane. “I have a strange feeling with regard to you: as if I had a string somewhere under my left ribs, tightly knotted to a similar string in you. And if you were to leave I’m afraid that cord of communion would snap. And then I’ve a notion that I’d take to bleeding inwardly. As for you – You’d forget me.”
Pausing, in distress, Jane expresses regret at his words. With feeling, she lets her experience of living in Thornfield hall escape her. “I have lived a full life here. I have not been trampled on. I have not been petrified. I have not been excluded from every glimpse that is bright. I have known you, Mr. Rochester and it strikes me with anguish to be torn from you.”
In reply, and with humble sincerity, he asks “Then why must you leave?”
Believing him to be on the verge of proposing marriage to Miss Ingram, Jane doesn’t understand his attempt yet again.
“Jane, you must stay.”
Nearing tears, Jane questions the cruelty of what Edward is asking. “And become nothing to you?… Am I a machine without feelings? Do you think that because I am poor, plain, obscure, and little that I am soulless and heartless? I have as much soul as you and full as much heart. And if God had possessed me with beauty and wealth, I could make it as hard for you to leave me as I to leave you…” Edging closer to him, she continues “I’m not speaking to you through mortal flesh. It is my spirit that addresses your spirit, as it passes through the grave and stood at God’s feet equal. As we are.”
With anguish, Edward keeps silent, standing apart from her during her impassioned speech. Taking her arms, and passionately pulling her towards him, Edward reinforces his hopes, echoing the truth of Jane’s final words and the way he wishes things to remain. “As we are.”
Tugging against his hold, Jane refuses to believe the validity of the words she hears. “I am a free human being with an independent will, which I now exert to leave you.”
Impassioned, Edward finally puts his desires into words impossible to refute. “Then let your will decide your destiny. I offer you my hand, my heart. Jane, I ask you to pass through life at my side. You are my equal, my likeness… Will you marry me?”
With awe and disbelief clouding her expression, Jane isn’t convinced someone such as her could be fit for a man like Edward Rochester, Jane questions him still. “Are you mocking me?”
In reply, he asks, “Do you doubt me?”
“Entirely,” she replies. She’s still of the opinion that Miss Ingram is to be Edward’s bride.
He sets about refuting this. “Miss Ingram, she is the machine without feelings. It’s you, you rare and unearthly thing. Poor and obscure as you are, please accept me as your husband. I must have you for my own.”
Processing his tender declarations, she asks with a sense of wonder, “You wish me to be your wife?”
“I swear it,” is his sure and quick response.
Breathlessly she asks, “You love me?”
“Then, sir, I will marry you.”
As relief and love flickers across their faces, standing beneath the shelter of the tree, the couple comes together for a kiss. With the breeze blowing gently and a glorious sunset at their backs, distant thunder rumbles forcing the two to make a run for the house. Just as they make it to the steps of Thornfield, a downpour catches them.
Inside, as Jane runs towards her bedroom, Edward tugs at her arm, bringing her back to him where he lifts her off the ground and kisses her soundly. A rare smile is affixed on Jane’s face as they draw apart.
They part with Edward’s words of love and endearment, “Goodnight. Goodnight, my love” hanging in the air, a cloud of Edward’s secrets also lingering nearby…
Have you watched this adaptation of Jane Eyre? What is your opinion of this moment or what’s your favorite romantic scene between Jane Eyre and Mr. Rochester? Comment below! Any and all of your observations about Jane Eyre is welcome.
Photos: Focus Features
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13 thoughts on “Classic Romantic Moment: Jane Eyre and Mr. Rochester”
Aww Rissi this was so beautifully written!! You captured the emotion and feelings of this scene perfectly.
This Jane Eyre version is my favorite out of the four versions I’ve seen. And yes because of Michael Fassbender. 😀
Thanks, Faith! I appreciate YOU reading and commenting; this was really a fun moment to write for me. There’s so much emotion in this scene. I had intended to just re-watch this scene, but when it came down to it, I couldn’t resist re-watching the entire movie! It’s fabulous! 🙂
I love the emotion in this film! And I know what you mean by re-watching the whole movie. I have done that so many times when writing a review… I only plan to watch one scene, and then I’m lost. Lol.
I’m glad to hear I’m not the only one, Faith! It’s tough NOT to keep going, especially if it’s one of our most favorite films! I’m glad to hear you like the emotion in this film too. It comes off less “passionate” as some of the other Jane Eyre adaptations I’ve seen, but something about it is gorgeous; and I love how it ends with Jane’s simple “awaken.” So poignant.
I really enjoyed your article.This is my favourite Jane Eyre moment, the second being the mirroring ending scene which this version sadly didn’t include. I have to confess to loving both the miniseries (80’s and 2006) version of this scene. While this film was lovely and atmospheric, I felt that the book is simply too long to made as it should be into a film. Alas even Michael Fassbender cannot tempt me away from Timothy Dalton’s Rochester. : )
Remind me, what is the mirroring scene, Elinor!? I’m ashamed to admit I’m drawing a blank. (Or which adaptations include it?)
Glad this is your favorite scene too; I found this particular adaptation scene gorgeous! And would love to see the 2006 miniseries. Alas, it’s ridiculously overpriced on Amazon right now. I’m still determined to see it somehow and look forward to discovering its unique beauty.
Yay for Timothy Dalton Rochester fans! I do enjoy the 80s miniseries and haven’t watched it in far too long.
Thanks so much for reading and the comment, Elinor. 🙂
It’s near the ending in the book. Jane and Rochester sit on a tree stump and she describes the garden to him. There are a few parallels. It’s a kind of reversal of roles, with her having most of the power this time. The tree, the fact that she allows him to believe that she loves St John to provoke jealousy, mistrust of happiness and finally an accepted proposal. It is in the 80’s version and the 2006 version but under a living tree in the former and on a picnic blanket in the latter. I think that the recent movie ends shortly before this scene would have happened. : )
Oh, yes! I remember that scene now. Thanks, Elinor. I do like the 80s miniseries, and if the 2006 adaptation is the latest BBC version, I have yet to see that! I need to re-watch all of the others I own too. 🙂
I loved reading this now that I’ve seen the movie – I’m not sure how I lived my life without any jane eyre adaptations in it? Like what was I doing? – Fassbender was soooo good but I thought Mia was AMAZING. Her acting totally captivated me. Just watched the 1996 one and William Hurt is not hot. Looks like I need to see the 2006 and 1983 ones ASAP!
This article was so perfect and seeing the moment broken down helped my heart to recover after how good it was <3333
Hi Amirah! Thanks so much for coming back and looking at this after you watched the film. I’m so glad you enjoyed this adaptation. I feel like the 80s version is REALLY good too; I don’t love everything about the ’96 version, and agree Hurt is FAR from my personal favorite Rochester. (Note to casting directors, you could have found ANYONE superior! ;D) But my most least favorite is the A&E film, which ironically, was my aunt’s favorite. Anyway, like you I still have need of seeing the 2006 adaptation too! Here’s hoping we both can see it soon – and welcome to the Jane Eyre fan club! I hope you enjoy the rest of your journey through the rest of the versions out there.
This is a most beautiful version of Jane Eyre. Hauntingly beautiful and expressive.
This is one of my most favorite versions of this story, Cynthia! I will confess I haven’t read the book, but as a film, this story comes across really well in this adaptation. 🙂