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When Marnie Was There (2014): Studio Ghibli’s Swan Song – Maybe

When Marnie Was There (2014): Studio Ghibli’s Swan Song – Maybe

When Marnie Was There (2014): Studio Ghibli’s Swan Song – MaybeFilm Review: When Marnie Was There (2014)

Studio Ghibli – the famed Japanese animation studio – went on a hiatus of unknown duration after the release of When Marnie Was There in 2014. So, the film stands – possibly – as the final anime production in the long and distinguished work, for which Studio Ghibli is internationally renowned and heralded. Hayao Miyazaki, Studio Ghibli’s cofounder, author, animator, producer, master storyteller, retired in 2013 – although, there are reports that he has been lured out of retirement for yet another go at yet another film. Time will tell.

RELATED: Is Hand Drawn Animation Dead?

As endings go, or perhaps (hopefully) as pauses go, When Marnie Was There is satisfying – it’s a good one to end/break on. It is no masterpiece. It lacks some of the magic of Studio Ghibli’s earlier animated tales. But it is a solid production, beautifully made and emotionally stirring. It is good, very good.

When Marnie Was There is based on a children’s novel (of the same name from 1967) by Joan G. Robinson. It is a coming-of-age tale of a little orphan girl, as she begins to accept herself, even learning to love herself, through her growing friendship with the mysterious Marnie.

RELATED: A Letter to Momo (2011): Learning to Live Again after Loss

What the Doctor Orders

12-year-old Anna Sasaki hates herself. She wants desperately to be normal, but she is just different. She is an orphan in foster care. In a land of brown eyes, she has remarkable blues. Anna knows nothing of her birth family. Despite having a loving foster mother and father, she is increasingly retreating into herself, withdrawn, sullen, anxious, depressed. She may smile politely, but inside she is seething and sad and frustrated and lost, just very, very lost.

And all these bottled up emotions are heightening her asthma attacks. After a severe attack at school, Anna’s doctor suggests that she have a change of scenery, out of the city and into the country. So, Anna is sent packing, off to the seaside, to live with relatives of her foster mother’s for the summer. It is an adventure that will change her life.

RELATED: Spirited Away (2001) – Delving into the Magical World of Hayao Miyazaki

Déjà Vu

Marsh House – Anna has seen it before, of that she is certain. In this sleepy little seaside village, where she starts her summer sojourn, Anna is drawn to this abandoned and dilapidated mansion across the marsh. It beckons to her. And, at certain times and in certain lights, it is almost as if the house ceases to be an isolated ruin, but morphs into life, with inhabitants of its very own. Marnie lives there.

Marsh House – Anna has seen it before, and it draws her in. Photo: Studio Ghibli

Marnie is a golden-haired, blue-eyed beauty, a girl who gazes longingly out of the windows of Marsh House. She and Anna become fast friends. But is Marnie even real? Is she a figment of Anna’s imagination? Is she a dream? Marnie dances in and out of Anna’s life. They go on adventures. One moment, Marsh House is full of life and parties and Marnie, the next it’s rotting and empty. Is it time travel? Is it hauntings of times past?

Whatever the mystery, Marnie and Anna have a bond, a beautiful friendship, and that relationship begins to heal Anna, allowing her to make peace with herself and who she is. And the mysterious Marnie? Yeah, Marnie’s story – whether she be real or not – is one you’ll have to see When Marnie Was There to hear more about it and find out. It’s worth the watch.

RELATED: From Time to Time: Ghosts, Time Travel and British Propriety

Content Note: Rated PG for thematic elements and smoking.

Where to Watch: DVD

Buy on Amazon below. (This is an affiliate link, which means that if you click on this product and buy, we’ll receive a small commission.)

OVERALL RATING

Four corset rating

“Hello, Gorgeous.”


About The Author

Jessica Jørgensen

A lover of words, stories and storytellers since her youth and just plain curious by nature, Jessica embarked on a very long academic journey that took her across a continent (from Canada’s west coast to its east) and even to the other side of the globe, where she currently lives an expat existence in Denmark. She now trails many fancy initials behind her name, if she ever cares to use them, and continues to be ever so curious. She’s a folklorist, a mother, a wife, a middle child, a small town girl, a beekeeper, an occasional quilter, a jam-maker. She curates museum exhibits, gets involved in many cultural projects for this and that, collects oral histories when she can find the time and continues to love stories in all their many and varied forms. The local librarians all know her by name.

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The Silver Petticoat Review covers both classic and modern entertainment from around the world and specializes in Old-Fashioned Romance, Period Dramas, and Romantic Storytelling in Film, Literature, & TV. Our objective is to promote and bring back enthusiasm for swoon-worthy love stories and diverse storytelling steeped in or influenced by Romanticism without the excess of explicit content and unsentimental cynicism.

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