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Pompeii Film Review – An Entertaining Version of History

Pompeii Film Review – An Entertaining Version of History

Pompeii Film Review

Pompeii

Pompeii never set out to win any awards, as the film was never meant to be anything more than mindless fluff. Basically, Pompeii is really just a period drama’s version of a disaster movie. And sometimes, disaster flicks (despite all the terrible clichés), can turn out to be a whole lot of fun.

Pompeii follows a Celtic slave turned gladiator named Milo (Kit Harington). When he was a child, Milo (his family a tribe of horsemen) saw his entire family and tribe slaughtered by Romans, particularly two Romans: Corvus (Kiefer Sutherland) and Proculus (Grimm’s Sasha Ruiz).

Pompeii

Milo and Cassia

As an amazing and quick fighter, Milo gets transferred to Pompeii just when the volcano shows signs of erupting. Arriving on the outskirts of the  city, he meets the high-born Cassia (Emily Browning) whose horse has a terrible accident. As a prior horseman, he offers his help even though he is a slave. Drawn to his kindness (and good looks), Cassia becomes enamored and intrigued by the handsome Gladiator, despite their difference in stations.

Pompeii

Atticus and Milo

Meanwhile, Milo meets another Gladiator named Atticus (played by the charismatic Adewale Akinnuoye-Agbaje) who he is supposed to kill in the arena. Despite this, the two men come to understand one another; they are reluctant but then a blossoming friendship grows, their relationship a highlight of the film.

Pompeii

Kiefer Sutherland as Corvus.

And just as Milo comes into Pompeii, so too does the Romans who killed his family. Corvus arrives from Rome to Pompeii in order to forcibly marry Cassia. He’s obsessed and will have her no matter what, including blackmailing Cassia’s parents (played by Jared Harris and Carrie-Anne Moss). This part of the film plays out a lot like James Cameron’s Titanic in regards to the fiancée chasing them down in the middle of a catastrophe. Indeed, the structure is rather similar to that movie with the star-crossed romance, striking disaster, and then trying to survive together when the worst comes. There’s even a moment when people are trying to be the first to get onto boats…

Overall, if you want to be entertained by a period drama with a lot of action, Pompeii is a fun way to spend your time. Sure, there’s nothing remotely original in the film or really all that historical to the true events and Kiefer Sutherland’s accent is atrocious, but the romance is entertaining (even though not vastly developed) and every once in a while, I like to watch brainless disaster movies. Like I said earlier, not every movie needs to be an award winner. You can catch Pompeii on Amazon Instant Video or buy it on DVD!


Photos: Lionsgate/Sony Pictures

OVERALL RATING

three corset rating

“Mrs. Robinson, you’re trying to seduce

me. Aren’t you?”

ROMANCE RATING

(More like 3.5)

four heart rating

“In vain have I struggled. It will not do. My

feelings will not be repressed. You must allow me

to tell you how ardently I admire and love you.”

About The Author

Autumn Topping

“Because when you are imagining, you might as well imagine something worthwhile,” L.M. Montgomery. In second grade, Autumn wrote her first story, “The Spinach Monster,” and hasn’t stopped writing since. Intrigued by the tales her grandmother told of vampires, witches, and ghosts as a girl, she’s always been drawn to the fantastic. Later, Autumn studied English and Creative Writing (continuing her love for classic literature and everything old-fashioned) and also graduated with an MA in Children’s Literature and an MS in Library & Information Science from Simmons College. Currently, she co-runs this lovely blog and works at The New York Public Library as a YA Librarian.

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THE SILVER PETTICOAT REVIEW

Welcome to The Silver Petticoat Review, the kindred spirit destination for lovers of romance and Romanticism. We cover both modern and classic film, literature, & TV from around the world and specialize in Old-Fashioned Romance, Period Dramas, Classics, and Romantic Storytelling without the excess of explicit content and unsentimental cynicism.

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