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Film Review: The Abduction Club

Film Review: The Abduction Club

Abduction Club Poster

The Abduction club (2002) is a period drama directed by Stefan Schwartz. It stars Alice Evans, Daniel Lapaine, Mathew Rhys and Sophia Myles of Moonlight fame. Set in Eighteenth Century Ireland, when younger sons of rich families had to depend on their elder brothers for a meagre share of their wealth, we meet Byrne and Strang, members of the elusive abduction club. This was a gentleman’s club for single younger sons with no inheritance. The chosen man would approach a lady of means in society and gain her heart. When sure of her acceptance the man would come to her house in the company of friends and formally ‘abduct’ her. The lady would usually be delighted to be taken away from less desirable suitors. She would be taken to a safe house where, should she accept, they would be married in secret. If not, the lady would return with her virtue and reputation intact. By keeping to a strict moral code the club has until the events of the film, managed to avoid the eye of the law.

Photo Credit: Pathe

Photo Credit: Pathe

When the time comes for Byrne to perform his courtship and abduction, he bungles it and the two gentlemen meet their match in the two Kennedy sisters.  Catherine and Anne have ambitions, secrets of their own and no intention of being so easily charmed into matrimony. After an encounter with the Red Coats goes horribly wrong, the four find themselves fleeing across Ireland into unanticipated adventure, with an angry suitor and the Attorney General in pursuit.

Photo Credit: Pathe

Photo Credit: Pathe

It is a fast-paced caper with not one but two love stories that evolve over the course of the film. These develop in stark contrast to each other, though I must admit to finding the secondary couple more interesting. It has elements of romance, swashbuckling adventure, comedy and drama.

Photo Credit: Pathe

Photo Credit: Pathe

The soundtrack is as enjoyable as the script and matches the mood of any given scene perfectly. The film uses the beautiful landscapes and stately homes of Ireland to full effect. The four main characters are incredibly likeable and you will find yourself cheering them on as they evade the authorities and gallivant across the countryside. The film is full of sharp yet warm humour that complements the action perfectly.It is a thoroughly enjoyable romp that will appeal to audiences of all ages, especially those who enjoy adventure and romance in large helpings.

The film does loosely follow real events but takes a large amount of artistic license with the story.  If you enjoy the film, I would not advise seeking out the truth as it is rather disappointing. I prefer to content myself with the fantasy and what a lovely one it is.

The film is available to buy on DVD (though it’s only sold in Region 2 format so you will need a multi-region DVD player if you live in America) and watch on itunes.



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“The stuff that dreams are made of.”


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“You pierce my soul. I am half agony, half hope.

I have loved none but you.”




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About The Author

Elinor Cackett

Elinor is a writer and semi-recent graduate of English and Creative Writing at Aberystwyth University. She has been writing ever since she could hold a pen but her love affair with fiction started when the entirety of David Eddings’ ‘The Belgariad’ was read to her at age four. She currently has a couple of books and half a dozen short stories on the go. She spends her free time writing, analysing media and knitting very colourful scarves.


  1. Rissi

    Been meaning to watch this one. I just may snag a copy next shopping spree. 🙂

  2. davinci_cat

    I loved this film too when I first saw it, and interestingly enough, I also preferred the romance between the characters played by Matthew Rhys and Sophia Myles. But then I enjoy Rhys in anything!


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The Silver Petticoat Review covers both classic and modern entertainment from around the world and specializes in Old-Fashioned Romance, Period Dramas, and Romantic Storytelling in Film, Literature, & TV. Our objective is to promote and bring back enthusiasm for swoon-worthy love stories and diverse storytelling steeped in or influenced by Romanticism without the excess of explicit content and unsentimental cynicism.





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