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The White Queen: Episode One Review – A Historically Inaccurate But Entertaining Adaptation

The White Queen: Episode One Review – A Historically Inaccurate But Entertaining Adaptation


The White Queen: Episode One Review - A Historically Inaccurate But Entertaining AdaptationWe may receive a small commission if you purchase an item using an affiliate link on this post.


THE SHOW: The White Queen

THE CAST: Rebecca Ferguson as Elizabeth Woodville (queen), Max Irons as King Edward IV, Janet McTeer as Jacquetta Woodville, James Frain as Lord Warwick, Amanda Hale as Lady Margaret Beaufort, Faye Marsay as Anne Neville, Countess of Warwick – Juliet Aubrey, Caroline Goodall as Duchess Cicely

WHERE: STARZ

WHEN: 8 p.m. Saturday


Based on the Philippa Gregory novels, the ten-episode historical drama series The White Queen begins in the middle of The Wars of the Roses in 1464 when Elizabeth Grey-Woodville (future White Queen) wakes up from having strange, prophetic like dreams. The beautiful young widow soon catches the attention of the new king, Edward IV and romance ensues. All the while, dark premonitions continue to haunt her.

For those familiar with the period, you can probably guess why. But for those who aren’t, The Wars of the Roses were dynastic wars between the houses of York and Lancaster (their symbols being a white rose and a red one) over the throne of England. The fight lasted 30 years, but not without scandal and tragedy.

There’s enough history here to easily fill an entire show, let alone a single season of ten episodes. At the least, it’s unlikely the series will be uneventful.

There’s enough history here to easily fill an entire show, let alone a single season of ten episodes. At the least, it’s unlikely the series will be uneventful.

“In Love With the King”

The first episode “In Love with the King,” is all about the budding (or sudden) romance between commoner Elizabeth Grey-Woodville and King Edward IV.  At first, being a known womanizer he simply wants her as his mistress, but she refuses. Does she say no out of a sense of right and wrong? Or does it go deeper? There is the obvious answer that she is simply manipulating him into marriage. Well whatever she does, it works.

They are soon married in secret but not without their secret quickly being exposed. Edward refuses to give Elizabeth up to marry a French princess (which his cousin Lord Warwick proposes) and instead announces his marriage to Elizabeth. Not surprisingly, most of the royal court is unhappy with the match; especially Lord Warwick and Edward’s mother Duchess Cicely. No doubt as the season continues there will be many characters scheming to remove Edward from the throne.

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The White Queen premiered on the BBC (it’s co-produced by STARZ) in June with mostly unfavorable reviews. Critics felt that it wasn’t historically accurate enough for them. In other words, it was too “pretty.” Shouldn’t people from the 15th century have bad teeth and hygiene? Well, that’s the argument anyway.

The series has also regularly been compared to a female version of Game of Thrones, and while the comparison has merit, the first episode reminded me more of Romeo and Juliet in royal court than anything else. The violence is mild with the romance being a tad more traditional in approach. But that may change as the season continues.

The show is not going to win any awards, but it is unquestionably entertaining. Even amongst war, the scheming characters, witchcraft, and villainy draw you in. You don’t care if there are historical inaccuracies. Why? It’s fun to watch. I still love Ever After, for instance, even though there were Americans faking English accents in a French setting.

The White Queen ignites a flame of intrigue over The Wars of the Roses. Who was the real Elizabeth Woodville, the woman who bewitched a king to become queen?

Besides, does anyone go to the movies or watch a show for an actual history lesson? That said, what they can do is spark an interest in a specific person or time. And that’s what I think this show does successfully. The White Queen ignites a flame of intrigue over The Wars of the Roses. Who was the real Elizabeth Woodville, the woman who bewitched a king to become queen?

The Actors

What makes The White Queen especially good are the characters and the performers. Rebecca Ferguson as Elizabeth (the white queen) is beautiful and even enchanting in the role. She’s a female character with heart, soul, and spirit. When she stood up to the intimidating Duchess Cicely, I knew I would like her.

Then there’s Max Irons as the King. Here, he finally begins to make an impression. His wooden performance in Red Riding Hood almost had me write him off completely, but then I saw major improvements with his performance as Jared in The Host and I thought perhaps with a little more time he could actually become an actor. And here as the womanizing, romantic King Edward IV I actually believe he can be. He no longer sounds fake as he delivers lines which show me that he’s really been working on improving his craft, and I appreciate that. He’s handsome and charming as the king and I look forward to seeing him grow as the season continues.

The most memorable performances, however, belong to the secondary cast. Janet McTeer relishes the role of sorceress as well as mother to the new queen. She maneuvers and manipulates with the best of them, all the while still having a heart of gold. Furthermore, it’s impossible not to enjoy the obvious, almost one-dimensional villainy of James Frain as Lord Warwick. He almost always plays villains and it’s simply because he’s just so good at it. I say keep the roles coming! And who can forget the chilling performance of Caroline Goodall as Duchess Cicely, the king’s mother? She is simply frightening in the role but in a good way.

The Romance

For me, the romance was rather quick, but then I guess that’s the story from history. It’s so fast, in fact, that there’s no way that their love could be based on anything other than physical attraction, at least in the beginning. Well, unless you believe in love at first sight. But if you like Romeo and Juliet then you should like this romance just fine. Though somehow I suspect the king will have a very hard time being faithful.

Overall Impression

Is The White Queen a prettified version of the time period? Yes. But so are most historically based movies and TV Shows. If you’re looking for a historically accurate portrayal of the period with bad teeth, low hygiene, and no supernatural additions, or even an Emmy worthy script, then this isn’t the show for you.

But if you’re okay with a rose-colored depiction of history (there are even some white teeth!), some generic romance, interesting characters with memorable performances and an all-around entertaining set up, then this show might be up your alley.

The White Queen, with its story of warring dynasties over the throne of England, has a strong hook. The biggest crime a show can have is to be boring. And this show is definitely not that, inaccuracies and all!


Content Warning: The series is rated TV-MA. Also, two versions of the show exist. The one airing on STARZ has more nudity and graphic sex scenes than the version aired on the BBC. So we recommend the BBC adaptation if you choose to watch as it has less explicit content.

Update: The series is now available to rent and buy (affiliate link).

What did you think of The White Queen? Sound off below…


OVERALL RATING

“Hello, Gorgeous.”

ROMANCE RATING

“Happiness in marriage is entirely a

matter of chance.”

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The Silver Petticoat Review covers both classic and modern entertainment from around the world and specializes in old-fashioned romance, period dramas, and Romantic storytelling. Our objective is to promote and bring back enthusiasm for swoon-worthy love stories and diverse storytelling steeped in or influenced by Romanticism without the excess of explicit content and unsentimental cynicism.
Disclosure: Some of the links in this post may include affiliate links. This means if you click on an affiliate link and purchase an item, at no additional cost to you, The Silver Petticoat Review may receive a small commission. However, we only recommend products or services we personally love or feel is valuable to our readers. Sometimes we also receive free products to write honest reviews. Each writer’s opinions are their own.

 

About The Author

Amber Topping

A lover of stories in all forms and from all cultures and time periods, Amber honed her own storytelling skills as a girl by doing Shirley Temple impersonations and putting on plays with her siblings. Eventually, she turned to cheerleading, dance, and finally to writing and video editing. Amber is an empathetic and impassioned person with a strong independent will and an endless amount of creativity. She has a Humanities and Film Degree from BYU, co-created The Silver Petticoat Review, and has contributed to various magazines. Her ultimate dream is to be a published author of books, screenplays, travel all over the world, and to form a creative village of talented storytellers from around the world who can collaborate together to produce stories celebrating old-fashioned romance and diverse storytelling. She believes stories have the positive power to unite, not divide.

4 Comments

  1. Sandee

    Nice review. I’ll have to check it out.

    Reply
    • silvervintage

      Thanks! Yeah, it’s a pretty good show. Not a great one. But pretty fun anyway.

      Reply
  2. Linda Shumway

    Lots of nudity(snooze) but the ‘story’ does suck you in. I didn’t get that Elizabeth put the Duchess in her place, but her Mother sure did! Will I watch more…you bet!

    Reply
    • Silver Petticoat

      I agree about the nudity and I believe it was both the Mother and Elizabeth that put the Duchess in her place. I loved that scene.

      Reply

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The Silver Petticoat Review covers both classic and modern entertainment from around the world and specializes in Old-Fashioned Romance, Period Dramas, and Romantic Storytelling in Film, Literature, & TV. Our objective is to promote and bring back enthusiasm for swoon-worthy love stories and diverse storytelling steeped in or influenced by Romanticism without the excess of explicit content and unsentimental cynicism.

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